ALFARIA MUSIC STUDIO

Adobe Audition 2 Tutorial

2007-07-11T03:46:00.000-07:00

The most comprehensive way to learn Adobe Audition 2.0!

Classroom in a Book, the best-selling series of hands-on software training workbooks, helps you learn the features of Adobe software quickly and easily. Classroom in a Book offers what no other book or training program does--an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts.

Adobe Audition 2.0 Classroom in a Book contains thirteen lessons and a bonus CD with lesson files. The book covers the basics of learning Adobe Audition, and countless tips and techniques to help you quickly become an Audition expert. You'll learn how to work and edit in a multitrack mixing environment, create audio effects and original soundtracks with loops, restore poor-quality audio, export to CD and MP3, and more. You'll also learn about Audition 2.0's new features, including low-latency mixing with unlimited tracks, ASIO support, audible scrubbing, analog-modeled Multiband Compressor, recordable parameter automation with external hardware support, and more. You can follow the book from start to finish or choose only those lessons that interest you.

Code:

http://rapidshare.de/files/24564934/0321385500.zip

Software packages are complex. Shouldn't software books make it easier? Simplify your life with the Focal Easy Guide to Adobe ® Audition ® 2.0! This short, full-color book lives up to its name by paring down the software to its essentials. It covers only the key features and essential workflow to get you up and running in no time. When time is of the essence, less is more

Antony Brown shares his professional insight to ensure you get the most out of all the tools Adobes Audition ® 2.0 offers. All the essential areas are covered: set up, editing, audio restoration, looping content, working with video, mastering, making a CD, and much more. Featured are many workflow tips that show you how to tap into the full power of Adobe ® Audition ® 2.0 when creating your digital audio files. This is an ideal first read for any editor new to Adobe ® Audition ® 2.0.

Code:

http://rapidshare.com/files/2851951/0240520181.zip

Free Best seller e-book for Mixing and Recording

2007-07-09T08:10:00.000-07:00

Most of new recording engineer start their recording session without proper guidance. Is that wrong? I don't say that was wrong, but i bet they spent their whole day to mix and match their song materials. I know that Indonesian musician and recording engineer have a lot of resources to learn such as www.musiktek.com, www.audioindonesia.com, www.bengkelmusik.com and another useful websites. Do they share mixing & mastering manual? may be yes. Do you know how to access the download link? That's the point, you don't know where. Don't worry... I create this post to make you have a download access to the best seller recording, mixing and mastering book just by single click. Enjoy it!

Right click and save to download the file.

BOB KATZ MASTERING AUDIO-ART AND A SCIENCE

bob_katz_mastering_a..>

MIXING and MASTERING BOOK

smdi.pdf

music-hq.pdf

dspguide.zip

The_Complete_Synthesizer.pdf

The Mixing Engineers Handbook.pdf

The Art of Mixing - Color Visual Section.pdf

The Art Of Mixing A Visual Guide To Recording Engineering And Production (1997) - David Gibson Mix Books.pdf

The Art Of Mixing - russian.pdf

Mastering Audio - Bob Katz - Complete(a4).pdf

RECORDING, MIXING AND MASTERING E-BOOK

INFOCUS01_MIDI.pdf

basics_of_mixing.pdf

basics_of_modern_rec..>

intro_to_digital_mix..>

intro_to_recording_y..>

CUBASE 4 MANUAL

Plug-in_Reference.pdf

Remote_Control_Devic..>

Surround_Production_..>

CUBASE SX3 MANUAL

Audio_Effects_and_VS..>

MIDI_Devices_and_Fea..>

Operation_Manual.pdf

Remote_Control_Devic..>

Score_Layout_and_Pri..>

Well... thats the first recording, mixing and mastering books I share for you. Please leave your comments if you have any request. I'll do my best to make Indonesian home recording engineer aware about the best way of producing high quality music. Good luck bro!

Rapidshare ≠ Repotshare?

2007-07-06T09:42:00.001-07:00

Mungkin teman-teman termasuk orang yang selalu penasaran kalau ada software yang baru dilaunching.Dulu saya termasuk orang yang sangat anti dengan yang namanya bajakan, baik membajak punya orang maupun membeli produk bajakan.
Alasannya?

Merugikan yang punya produk
Tempat belinya jauh & parkirnya susah
Kualitasnya buruk /susah bedain yang bagus sama yang jelek
Melanggar undang-undang
Nggak boleh sama ibu
Gengsi

Apakah alasan itu masih berlaku? Coba kita lihat lagi:

~~Merugikan yang punya produk~~

Biarpun dibajak tetep aja kaya raya

~~Tempat belinya jauh & parkirnya susah~~

Tinggal download

~~Kualitasnya~~ ~~buruk /susah bedain yang bagus sama yang jelek~~

Kualitas sama dan banyak pilihan

~~Melanggar~~ ~~undang~~-~~undang~~

Temennya buanyak… penjara nggak akan muat!

~~Nggak boleh sama ibu~~

Dulu belinya minta duit ibu sekarang udah pake duit sendiri

~~Gengsi~~

Dulu gengsi sama temen2 (cewe2 yang manis2). Sekarang udah bangkotan ga perlu lagi yang namanya ja-im.

Kalau kita bicara software bajakan dulu kita nulisnya ba**kan, karena bajakan dianggap tabu. Beberapa bulan yang lalu saya tertarik sama yang namanya software bajakan, kenapa? Sebagai orang yang cari sesuap nasi dari studio musik pasti saya mau investasi sekecil mungkin dengan hasil semaksimal mungkin.

Puluhan kali pelanggan/calon pelanggan studio saya nanya:

T: Mas, rekamannnya pakai software apa?

A: Cubase SL

T: Nggak bisa pakai Nuendo mas?

A: Nggak bisa, kualitasnya sama kok (lalu saya puterin contoh lagu yang direkam dan diedit pakai Cubase SL

A: Gimana?

T: Bagus sih mas, tapi temen2 saya maunya pakai Nuendo mas

A: Bilang saja sama temennya kalo hasilnya bagus, Arjuna Afi aja bikin demo sama saya, sekarang udah bikin klip di Nagaswara.

T: Gimana ya mas… duitnya patungan sih… jadi saya nggak bisa mutusin

Waktu pun berlalu, tapi anak itu nggak juga muncul. Lalu saya suruh operator saya nelpon anak itu. Ternyata mereka udah rekaman di D…..n dengan Protools. Seminggu kemudian mereka datang minta dieditin ulang lagu yang direkam di studio tadi karena nggak puas kualitasnya. Baru mereka ngeh kalo Cubase SL nggak kalah bagus sama Nuendo Maupun Protools.

Morale of the story:

Butuh waktu lama untuk meyakinkan anak-anak muda yang belum begitu mengenal dunia music recording mengenai kualitas suatu software
Kualitas lebih banyak ditentukan oleh “the man behind the gun”

Bercermin dari begitu banyaknya kasus serupa yang berujung hilangnya nasi yang sudah ada di piring, maka saya memutuskan untuk tidak bermusuhan dengan software bajakan dengan syarat tetap memenuhi petuah orang yang telah kerja keras menjebol proteksi software tersebut yang berbunyi ”DON’T MAKE MONEY FROM WAREZED SOFTWARE!” Caranya? Saya punya 2 komputer untuk recording, dan 1 komputer untuk Editing & Pre mastering. Satu dari computer yang dipakai untuk recording saya pasangin 1001 software bajakan, apapun yang pengguna studio saya kehendaki. Yang jelas saya tetap mengandalkan software yang asli (biarpun itu dapetnya dari bawaan hardware) untuk cari makan.

Berapa rupiah investasi yang dibutuhkan untuk beli original software?

Kalau dinilai rupiahnya seandainya saya beli software yang original totalnya lebih dari 100 juta rupiah! Semua meliputi recordimg software, looping software, Vst Plugins, VSTi plugins, dll. Software yang super mahal tadi bisa saya dapat dalam 2 hari tanpa harus keluar biaya apapun selain biaya internet selama download. Dari mana saya dapat software bajakan? Sekarang banyak sekali situs-situs yang menyediakan software bajakan, yang terbesar adalah phasedll, yang di Indonesia bajakan.com, kaskus, dan masih banyak lagi. Yang paling simple di bajakan.com karena basisnya blog gratisan maka nggak perlu mendaftar, nggak perlu login, dan khusus audio spftware dibuatkan list sehingga pencariannya mudah.

Rapidshare = Repotshare?

Ada yang bilang kalau mau download software lewat rapidshare.com kok repot banget harus pakai premium account. Buat sebagian orang yang katro memang iya, tapi buat yang ngerti Rapidshare ≠ Repotshare, bahkan di warnet yang speedy based pun via level3 bisa didapetin download transfer rate 300kb/second! Memang dunia bajak membajak mangkin hari mangkin gila. Terserah teman-teman bagaimana cara menyikapinya. Ada yang belum tahu cara mudah download via Rapidshare? Katro…

Reason 101 - Mastering Reason [Video]

2007-07-06T09:37:00.000-07:00

iNFO :

“Reason is an incredible "studio in a box," and with a few tips and tricks to show you the way, you can make incredible music with it.”

Trainer: Paul Garay
Level: Level 1
Application: Propellerhead Reason 3
Platform: Mac & PC
Runtime: 180 minutes
File Size: 529 MB

Over the years, Propellerhead Reason has become one of the hottest audio
applications on the market, and many top producers now use Reason for every step of their production process. You can easily make a full record using nothing more than Reason ... it's done every day, in studios all over the world.

Of course, there's a steep learning curve with any program as functional as Reason. You could take time to learn this incredible audio application through the school of hard knocks, or you can let an expert instructor with years of experience show you the way! Let me introduce you to Paul Garay ...

Paul begins this tutorial program by showing you how to configure Reason to work with your computer, audio interface, and MIDI controller, then moves on to explore the interface and set up the controls you'll use while working through the rest of the program.

Next follows a full exploration of Reason's awesome software instruments, including the Redrum drum computer, the Subtractor Analog Synthesizer, the Malstrom, the NN-19 Digital Sampler, and the NN-XT Advanced Sampler. These are the arrows in your sonic quiver, and you'll learn all you need to know to get incredible sounds out of them.

You'll also learn essential tips and tricks for sequencing notes to create an arrangement, before moving on to learn how to apply Reason's DSP effects to mix and master your songs.

If you are using Reason as a tone module, you'll be excited to watch the in-depth exploration of rewiring Reason into today's top audio production software, including Apple Logic and Digidesign Pro Tools.

For a full list of this tutorial program's contents, check out the table of contents below.

Table of Contents
Reason 101 : Mastering Reason

Chapter 1: Reason Basics
Section 1: Reason Overview
01: The Setup Wizard
02: Setting Up Basic Preferences
03: The Rack & Sequencer
04: Working The Transport
05: The SPL And Locator Flags
06: Loop Mode Playback
07: Reading The Cpu Meter
08: Setting Up A Default Song

Section 2: The Redrum Computer
09: Redrum Overview
10: Loading Samples Vs. Patches
11: Making A Beat Pattern
12: Copying And Pasting Patterns
13: Mixing And Altering Sounds
14: Copying Patterns To Tracks

Section 3: Recording And Saving
15: Recording External Midi Input
16: Saving Your Work

Section 4: The Subtractor Analog Synthesizer
17: Using The Subtractor
18: Choosing An Oscillator
19: Using The Noise Generator
20: Using The Filter Section
21: Using A D S R Envelopes
22: Saving A Custom Patch
23: Loading Preset Patches

Section 5: The Malstrom
24: Using The Malstrom
25: Using The Index Slider
26: Using A D S R Curves
27: Using Filters
28: Assigning The Mod Wheel

Section 6: The NN-19 Digital Sampler
29: Using The NN-19 Sampler
30: Loading Sample Files
31: Filtering Samples
32: Using Multi-Sample Patches

Section 7: The NN-XT Advanced Sampler
33: Using The NN-XT Sampler
34: Loading Preset Patches
35: Using Multiple Outputs
36: Layering Multiple NN-XTs

Chapter 2: Getting Deeper Into Reason
Section 1: Working With Rex Files
37: Dr. Rex Loop Player
38: Importing Refills
39: Adjusting Slice Settings
40: Copying A Rex Loops To A Track

Section 2: Using The Combinator
41: The Combinator
42: Multi-Output Instruments
43: Multi- Device Instruments
44: Saving A Multi-Instrument

Section 3: Using The Sequencer
45: Understanding The Track Column
46: Understanding The Sequencer Area
47: Setting Up A Track For Record
48: Recording A Track
49: Quantization Overview
50: Pre Quantization
51: Post Quantization
52: Overdub & Replace Cycle Recording
53: Sequence Grouping
54: Understanding The Tools
55: Basic Song Arranging

Section 4: Using Rewire
56: What Is Rewire?
57: Setting Up To Rewire Reason
58: Rewiring Into Logic 7.2 And Up
59: Rewiring Into Logic 7.1 And Below
60: Rewiring Reason Into Pro Tools

Section 5: Pattern Sequencing
61: Pattern Sequencing Using The Redrum
62: Pattern Sequencing Using The Matrix
63: Programming The Gate Mode Of The Matrix
64: Chaining Multiple Patterns With The Matrix

Chapter 3: Refining Your Sounds
Section 1: Using Effects
65: Adding An Effect To A Sound
66: The RV-7 Digital Reverb
67: The DDL-1 Digital Delay Line
68: Creating An Effects Loop (Send/Return)
69: Adding Processing To An Instrument
70: What Is EQ?
71: Using The Mixer 14:2 EQ
72: The Peq-2 2 Band Parametric EQ
73: What Is Compression?
74: The Comp-01 Compressor/Limiter
75: Setting The Attack And Release Controls

Section 2: Creating A Mix
76: What Makes A Good Mix?
77: What Is Unity Gain?
78: Setting Levels For Mixing

Section 3: Using Automation
79: Understanding Automation
80: Writing Automation
81: Using An External Midi Control
82: Editing Automation

Section 4: Mastering Your Song
83: What Is Mastering?
84: Using The Mclass Mastering Suite
85: The Mclass Equalizer
86: The Mclass Stereo Imager
87: The Mclass Compressor
88: The Mclass Maximizer

Section 5: Finishing Your Song
89: Setting Song Information
90: Checking Song Self Contain Settings
91: Publishing Your Song
92: Exporting A Loop As An Audio File
93: Exporting A Song As An Audio File

Download Link :

Code:

http://rapidshare.com/files/25435801/master_reason.part1.rar
http://rapidshare.com/files/25776578/master_reason.part2.rar
http://rapidshare.com/files/25780052/master_reason.part3.rar
http://rapidshare.com/files/25803547/master_reason.part4.rar
http://rapidshare.com/files/25574332/master_reason.part5.rar

Mixing and Mastering Tips Here are a few tips to make your music sound its best

2007-06-12T01:01:00.000-07:00

Vocals

Record flat with no effects and instead find the right microphone for the singer. In the mix, roll off everything below 100 Hz and above 15,000 Hz. Add 2-4dB at 160Hz for male vocals or 320Hz for female voice for warmth. Notch out the mid-range, 500-800Hz, by a few dB. Sometimes a little sparkle in the 7-8kHz area is good, if there's no sibilance there. Finally, a little compression after the EQ can smooth the vocals out nicely.

Automatic double-tracking. Set a delay line to a short delay, between 5 and 30 milliseconds and hard pan the dry and delayed part for maximum effect. Or, use a pitch shifter set between 2-4 cents and again dry sound goes hard left while the pitch shifted part goes hard right.

Vocal reverb sounding muddy? Don't send so much bass to the reverb. Use EQ before the reverb and take out everything below 3,000 Hz. This gives a nice, bright splash on the plosives and hard consonant sounds. This can make the words more intelligible in a busy mix, too.

Put a delay before your reverb and set it to a 100% short delay with no feedback. Send a vocal line to the delay and then on to the reverb. In the mix, you'll first hear the dry vocal. The delay line then creates a gap before the reverb begins. This makes the room seem bigger, without needing a long (read: muddy) reverb time. Adjust the delay time to fit your music. On choppy vocals it's cool. Dry sound . . . silence . . . reverb splash.

Unique sounds Search for and use equipment, especially synths and outboard gear, that others don't usually use. Old gear can give you a very distinct sound.

Don't forget that EQ can be CUT to affect tonal quality, not just boosted. Do you want a deeper bass? Cut everything from 5K on up on the bass track. Cutting the highs keeps all the sound in the lower register without getting too dark or flabby.

Flange or chorus your ride and crash cymbals. Make sure to use a noise gate to eliminate the noise of the chorus or flanger when the cymbals are silent. This way the effect kicks in when the cymbals are struck with a unique wobbly sound.

Put a speaker and mic in your garage, basement, or tiled bathroom. Place them at opposite ends so you pick up the most room sound. Send instrument tracks to the speaker via your mixer send and return system and add real reverb to your mix.

Play those faders. As you begin mixing your music, keep moving the faders up and down slightly. You bring a little extra motion to your mix through this subtle manipulation of levels. Often I'll diddle with EQ and effects sends and returns, too. Nothing major. I'll just make a few minor tweaks live as the mix progresses. With software, you can automate these subtle changes, too.

Vary your tempo. You can be subtle by pushing ahead a few clocks and falling behind occasionally. Or be more intrusive by jumping tempo in greater leaps.

Don't forget about dynamics. I get lots of CDs and the one common thread is dynamics . . . or a lack of any. Get soft. Get loud. Swell. Fade. Mix it up. Subtract some instruments from the mix. Add in everything including the kitchen sink sample. If you don't know what I mean, listen to orchestral music, specifically try Mahler's Adagio to his Tenth symphony. You'll learn what dynamics really are!

Check your mix in mono (use TV speakers). If you use small speakers, check your bass content on full-range systems.

Less is more
Today's technology makes it very tempting to add layer upon layer. The side effect is your song or production gets rather dense and cluttered. Sometimes you must step back, reevaluate, and strip it down. Heed the advice of award-winning recording and mixing engineer Ed Cherney (Stones, Clapton, and Raitt): "Listen to what's there, see where the song is, [and] eliminate things to find the heart of the song. Nobody dances to what kind of gear you used."

A clear mind creates stronger music. Also, take time away. A mix made after ten hours of tracking rarely sounds good to rested ears. Tired ears = bad mix. So, make sure you take a break. And then return to your mix with fresh ears.

Mastering A final mix is NOT a master
Use mastering hardware or software to add the final sweetening to the stereo mix. However, don't over process too much. Mastering programs make it way too easy to push the sonic integrity of a piece. Often a little low end whump and high end sizzle coupled to some light compression to raise the overall level coupled to peak limiting to prevent digital distortion is all you need. Use your favorite CDs as a reference when mixing and mastering. Alternately, hire a professional mastering engineer who brings experience and fresh ears to your project.

Keep a notebook of your tricks and tips and compile a handy bag of tricks that brings your music alive.

Get the hottest vintage guitar rig around: AmpliTube Jimi Hendrix

2007-06-04T18:34:00.000-07:00

• The first authentic software recreation of the complete guitar amp and effects rig of Jimi Hendrix

• Includes models of extremely rare and collectible vintage stomp boxes, amp heads and cabinets

• A legendary sound that has marked the evolution of modern rock guitar and has influenced some of the greatest guitarists of our time

• Powered by the award-winning AmpliTube 2 engine featuring proprietary techniques such as DSM™ (Dynamic Saturation Modeling) for achieving the most accurate emulation of guitar amps and effects

• 5 separate modules: tuner, configurable stomp pedal board, amp head, cabinet + mic and rack effects
• 4 Amp models
• 7 Cabinet models
• 5 Microphone models
• 9 Stomp Effect models
• 4 Rack Effect models
• High-precision Tuner
• 2 Guitar rig chains
• Jimi Hendrix song presets immediately recall the entire rig used
• Plug-In and Standalone version

AmpliTube Jimi Hendrix™ is a cooperative effort between Authentic Hendrix and IK Multimedia. Authentic Hendrix was founded in late 90s, by Al Hendrix and his daughter Janie to curate and promote Jimi’s extensive recorded legacy. Jimi Hendrix was fundamental in the development of modern guitar amplification and guitar effects and marked the evolution of modern electric guitar sound. In only the four years between 1966, when he started his rehearsal sessions with the Jimi Hendrix Experience, and 1970, when he died in London on September 18 at the age of 27, he contributed to change the way music was made and electric guitar was played, leaving a permanent mark on the generations of guitarists and musicians that followed. He is constantly named by guitar and music magazines as the number one guitarist of all time.

The Jimi Hendrix rig

Hendrix’s sound is a unique mix of high volume, feedback control and a exclusive, personal usage of guitar effects which was a breakthrough for its time. By then Hendrix was one of the first guitarists to experiment with the full expressive possibilities of electronic effects, which were a fundamental part of his sound. Electronic effects were a technological novelty in the 60’s with semiconductor electronics in its infancy and the very first commercially available germanium transistors introduced in the mid 50’s gradually replacing tubes in the next two decades.

IK has gone the extra mile in accurately modeling all the most important components of the Hendrix rig not only using proprietary AmpliTube 2 DSM™ (Dynamic Saturation Modeling) technology at its best, but collecting all the original vintage stomps, amplifiers and cabinets and fine tuning the software emulations by ear with accurate craftmanship to achieve incredibly realistic modeling results. A sound that will bring you back to the Woodstock era.

AmpliTube Jimi Hendrix offers the same 2 series/parallel rig structure of AmpliTube 2 and ensures a complete and flexible rig structure that can be used not only to recreate the authentic tones of popular Hendrix tunes but since the modeled gear in this product is in such high demand by guitarists, AmpliTube Jimi Hendrix is a fantastic tool for many styles of modern rock music from hard rock to punk, alternative, progressive and pop.

LIST OF RENTAL STUDIO

2007-04-06T23:29:00.000-07:00

Berikut adalah list studio yang ada di Indonesia.

Anda mengetahui rental studio yang tidak terlisting di sini? Atau Anda mengetahui merk-merk perlengkapan yang disediakan studio tsb? Atau ingin menambahkan info lainnya? Silakan Anda kirim Nama Studio tsb, foto studio, Merk-merk Gitar Yang Tersedia (buatan mana jika ada), Alamat Studio, Nomor Telephone atau Info lainnya. Silakan kirim ke stormhits@gmail.com.

JAKARTA:

ARLET Harga Sewa: Rp.20.000/jam Harga rekaman demo live: Rp.50.000/2 jam Alamat: Jl.Tebet Barat V No.12 (dekat SMU 26) Phone: 8296762 Luas: 3 x 5 meter Amplifier Gitar dan Bass: Fender, Marshall dan Peavey Drum: Tama Keyboard: Roland XP Monitor Vocal: Crate Mixer: 16 channel merk Behringer dan power Peavey CS 800
ASPA STUDIO Harga Sewa Studio: Rp.25.000/1 jam atau Rp.20.000/1 jam for member.Buka 24 jam Harga Rekaman Demo Rp.150.000/3 jam Alamat: Jl. Dahlia No.2 RC Veteran Bintaro, Jaksel Phone/Fax: 7358946 Luas: 5 X 5 meter Gitar: Jackson, Washburn & Ibanez Amplifier Gitar: Marshall JCM900 Anniversary Series, Crate GT80DSP Tube Mosfett, Laney Hardcore HCM120R Bass: Ibanez SDGR 5 Strings Amplifier Bass: Valhalla Rumble 200 Head & Cabinet Drum: Tama & Sabian Cymbals Keyboard: Roland EM30 & Korg M1 Amplifier Keyboard: Laney KC50 Monitor Speaker: 4 bh speaker 15" McKenzie Perlengkapan Rekaman: M-Audio Delta 1010, Alesis MK2, Behringer B2, Shure & Nuendo Fasilitas Lain: Warnet/game station 24jam, Video Shooting & Editing (Video Clip,Profile Band,Commercials dll) Website: www.aspastudio.com
BASS Harga Sewa: Rp.350.000/3 jam Alamat: Jl.Pakubuwono 6 Phone: 7250476 Luas: 6,5 x 5 meter Amplifier Gitar: Marshall JCM 900 (Head + Cabinet), Peavey 5150 (Head + Cabinet), Fender Stage 160 Combo dan Trace Elliot untuk gitar akustik. Amplifier Bass: Trace Elliot dan cabinet Mesa Boogie Drum: Tama Keyboard: Roland RD500 dengan 2bh amplifier Peavey KB300 Monitor Speaker: Bose dan Peavey Mixer: DiAmp 32 channel
BOS STUDIO Harga Sewa: Rp.120.000/3 jam (buka dari jam 9.00-24.00, minggu buka) Harga Rekaman 24 Track : 450.000,-/shift (6 jam) Alamat: Komplek Perkantoran Tanjung Barat, Blok B1-16 Ps. Minggu Phone: 788 31616 - 788 37719 Luas: 6.5 Gitar: Ibanez Amplifier Gitar: Marshall, Hughers n Kettner Bass Gitar: Gallien Krueger Drum: Pearl Pro GLX Keyboard: Roland JV90 dan Korg Triton Mic: Seinhesser Mixer: Mackie 32.4
BOSARITA Harga Sewa: Rp.85.000/3 jam, Rp.75.000/2 jam atau Rp.40.000/1 jam Harga rekaman demo live: Rp.2.500/kaset Alamat: Jl.RS.Fatmawati Raya No.27 C Phone: 7660990 Luas: 4,5 x 5 meter Gitar dan Bass: Fender Amplifier Gitar: Mesa Boogie Mark IV Amplifier Bass: Trace Elliot AH400 SMX Drum: DW Collector Edition Keyboard: KORG Trinity Pro X dan Roland G-800 dgn amplifier Peavey KB-A30 Mixer: Soundcraft Spirit Live 8 MK II
CALISTA MUSIC STUDIO Alamat: Jl. Margonda Depok (seberang rumah makan padang Sederhana) Phone: TB 0856 7028824 Luas: sekitar 8m x 10m Amplifier Gitar: 2 Peavey Combo Special 112 Amplifier Bass: Peavey Drum: Premier Gitar: Epiphone Les Paul, Cort, Fender Stratocaster Bass: Fender Jazz Bass
CAPRICORN Harga Sewa: Rp.30.000/jam atau Rp.50.000/2 jam atau Rp.60.000/3 jam Harga rekaman demo live: Rp.60.000/2 jam Alamat: Jl.Ciputat Raya No.16 Phone: 7251263 Luas: 5 x 5 meter Gitar: Washburn dan Fender Bass gitar: Washburn XB-200 dan Fender Jazz 5 senar Drum: Phil Collins Series
CK MUSIC STUDIO n' RECORDING Alamat: Jl. Taman Bendungan Jatiluhur II/10, Bendungan Hilir Phone: 021-5703290 Harga Sewa: Rp 25.000/jam/underground Rp 35.000/jam Harga Live Recording: Rp 25.000 Track Recording: Rp 300.000/shift (6 jam) Drum : Pearl Keyboard : Rolland EM 55 Amplifier Guitar : Marshall, Laney Mixer : Mackie 16 channel, Carvin 24 channel Soundcard : Presonus Speaker : Bluesky
C-PRO MUSIC STUDIO Alamat: Jl. Manggarai Selatan IX/55, Bukit Duri, Tebet - Jakarta 12840 Harga Sewa: Rp 75.000/shift Phone: 021-8297146
DHANAS STUDIO Harga rekaman track: Rp. 300.000/6 jam Harga rekaman semi track: Rp. 100.000 / jam(CD) Harga rental: Rp. 75.000/3 jam Alamat: Rawamangun Jakarta timur Phone: 021-4718575 Piranti Rekam: MOTU HD-192 Gitar: Ibanez PGM,Fender stratocaster Amp gitar: Marshall jcm 2000 TSL, Legacy, 5150 (all H+K) Bass gitar: Warwick+Status Amp bass: Gallien krueger (H+K) Effect: Korg AX-1500 G, POD line-6 Drum: DW Collector & Pearl master Custom (semua 2 tom+ 2floor) Keyboard: Roland RD-700, Roland XP-80 Amp Keyboard: Fender Sfx-200
DTSOUND Harga Sewa Studio: Rp.140.000/3 jam, Rp.100.000/2 jam atau Rp.60.000/1 jam Harga rekaman demo live: Rp.250.000/3 jam Alamat: Golden Plaza Blok C5-6, Jl.Fatmawati Raya, Jaksel Phone: 7656049 Luas: 9 x 8 meter Gitar: Fender, Yamaha & Charvel Amplifier Gitar: Peavey 5150 & Roland Bass: Aria Pro Amplifier Bass: Marshall Drum: Sonor Performer Keyboard: Roland XP 80 & RD 600 Amplifier keyboard: Roland KE 500 Monitor: 4bh speaker Crate Perlengkapan Rekaman: Roland Digital Studio Work Station Mixer: Mackie 24 Channel SR24/4
DYNASTY Harga rekaman demo live: Rp.50.000/2 jam Harga rental: Rp.20.000/jam Alamat: Jl.Kerja Bhakti No.1A Amplifier: Russel Drum: Pearl Keyboard: Roland XP Monitor Vokal: Crate Mixer: 16 channel merk Behringer dan power Peavey CS 800
ERAMONO (PANGLIMA POLIM STUDIO) Harga Sewa: Rp.100.000/3 jam (buka dari jam 9.00-21.00, minggu buka) Harga rekaman demo live: Rp.130.000/3 jam Alamat: Jl.Panglima Polim III No.93 Jaksel Phone: 7208841 Luas: 8 x 7 meter Gitar: Ibanez Amplifier Gitar: Marshall dan Fender Bass gitar: Peavey Drum: Yamaha Keyboard: Roland XP100 dan Korg D-70 Mic: Shure 3bh Mixer: 16 channel, SPX 90 Yamaha dan power Peavey C 800
ETNIC STUDIO Alamat: BEARLAND.JAK TIM Gitar: Fender stratocoster,ibanez js series Amplifier: All Marshall Bass gitar: Yamaha attitude series Drum: Tama swing star Effect: boss,zoom gfx-8 Mic: Shure
GAZEBO MINI MUSIK (STUDIO 1) Harga rental: Rp 20.000 / jam Alamat: Jl rambutan no.12 Rt3/16 condet. cililitan. (Diseberang jl.Budaya / Jl.Olah raga II. Satu tempat dgn Condet GYM) Phone: 021-80877845 Gitar: ibanez Gio Amp gitar: Laney MXD 120 head&cab , Laney HCM 65R Bass gitar: Samick Amp bass: Peavey TKO 115s Effect: Boss auto wah Drum: Drum Tama Swingstar Double Floor tom Keyboard: Yamaha Psr 620 Mic: Shure SM58
GAZEBO MINI MUSIK (STUDIO 2) Harga rental: Rp 25.000 / jam Alamat: Jl rambutan no.12 Rt3/16 condet. cililitan. (Diseberang jl.Budaya / Jl.Olah raga II. Satu tempat dgn Condet GYM) Phone: 021-80877845 Gitar: Ibanez GAX, Epiphone Emily, ibanez accoustik, ovation celebrity accoustic Amp gitar: laney TFX3 Head & cab, laney accoustik LA65C, Laney MXD120R Bass gitar: Ibanez GSR, brunswick accustik bass Amp bass: Peavey TKO 115S Pro Series Mixer: Crate audio Cmx42P Drum: Tama Rockstar, Cymbal Zildjian Keyboard: Korg X5D Mic: Shure SM58
GEDHANG'S RECORDING STUDIO Harga rekaman track: Rp.350.000/6 jam Alamat: Jln. Kemuning blok L5 no. 3 Komplek Larangan Indah, Ciledug, 15154 Phone: (021) 70672925, HP 08158109430 Gitar: Gibson Les Paul, Fender Telecaster, Fender Stratocaster, J&D, J&D akustik electric Amplifier Gitar: Amplifier Marshall AVT 2000, Behringer Bass gitar: Fender Jazzbass, J&D Amplifier Bass: Ampeg Drum: Drumset Ludwig, Cymbal 802 series Keyboard: Keyboard Roland XP Amplifier Keyboard: Peavey KB 300 Mic Vokal: Behringer, Shure SM 58 Mic Drum: Yoga & Shure SM 58 Mic Preamp: DBX Monitor Speaker: Auratone Recording Equipment: Roland VS-2480CD, Steinberg Nuendo, Propellerhead Reason for MIDI recording, Line6 Guitar Port for direct recording Editing tools: Steinberg Nuendo & Celemony Melodyne for vocal editing
G'GIFT MUSIC STUDIO Harga rekaman track: Rp.250.000/5 jam Harga rekaman semi track: Rp.150.000/2 jam Harga rental: Rp.20.000/jam Alamat: Komp.Tmn Alfa Indah H2 No26 petukangan utara-jakarta selatan Phone: (021) 5857107 Gitar: Ibanez GAX70, Squier infinity strat Amplifier: Marshall & Laney amplifiers Bass gitar: Cort B5 (5string), Samick (4string), Washburn (4string) Drum: Pearl Export series, Stagg&Zildjian cymbals Keyboard: Roland PSR740 Mic Vokal: Shure-Behringer-Superlux lebih lanjut silahkan hubungi ggiftstudio2002@yahoo.com
LEGEND Harga Sewa: Rp 85.000 per 3 jam Harga rekaman demo live: Rp50.000/1 jam + CD Harga rekaman track: Rp 300.000/Shift(5 jam) Alamat: Taman meruya Ilir blok A 11 no 7, Jakarta Barat Phone: 021-5842264/08569899533(Yurie)/08129934696(Ijoel) Gitar: Fender Stratocaster,Epiphone,peavey T60 Amplifier Gitar: Marshall JCM(h+c),Crate(vintage Tube 3 x 12\") Bass gitar: washburn 5 string, peavey T60 Amplifier Bass: Valhalla (H+C), SWR workingman 2004(H+C) Drum: yamaha Maple custom 1 set Keyboard: Korg Trinity Monitor Vocal: JBL R838, Speaker monitor Peavey, Speaker Biema Mixer: Fane 24 channel, behringer eurorack UB2442FX 16 channel Others: Compressor behringer MDX2200, Equalizer peavey EQ27, vocal effect Roland SRV 330, Power roland RSA 2400, Power live 1400.
NAYADA KANCA Harga Sewa Studio 1,2 & 3: Rp.75.000/3 jam, Rp.65.000/2 jam atau Rp.40.000/1 jam Harga Sewa Studio 4: Rp.150.000/3 jam, Rp.120.000/2 jam atau Rp.75.000/1 jam Harga rekaman demo live: Rp.20.000/jam Alamat: Komplek Plaza Golden Blok G-19, Jl.RS.Fatmawati No.15 Jaksel Phone: 7508948 Luas: 3,5 x 5 meter, 4,5 x 5 meter Gitar dan Bass: Fender Amplifier Bass: Fender & Marshall Drum: Tama dan Pearl Keyboard: Roland & Korg X3 Mixer: 16 channel, Powermixer XR 800 D
POSTER STUDIO Harga Sewa: Rp.20.000/jam Demo live: Rp.20.000/jam Alamat: Jl.SMEA VI No. 27 Cawang Phone: 8001159 Luas: 4 X 4 meter Gitar: Fender & Ibanez Amplifier Gitar: Marshall Valvestate 2000(Head + Cabinet), Fender Band Master(Head + Cabinet). Amplifier Bass: Crate BX220 Head + cabinet Marshall Drum: Premier Keyboard: Yamaha PSR, amplifier Roland KC500 Monitor Speaker: Peavey Mixer: 32 channel
PLANET MUSIC STUDIO Track Recording : Rp.300.000/6 jam Address : Ruko Citywalk 1/16 Citra Gran - Cibubur Phone : 021-93118119 Guitar : Epiphone, Ibanez, Jackson Guitar Amplifier : Line 6, Laney, Ibanez Bass : Ibanez Bass Amplifier : Gallien Krueger Drum : Tama & Sabian Cymbals Keyboard : Korg Keyboard Amplifier : Peavey Recording Equipment : Echo Layla 3G, Phonic Monitor Speaker, Phonic Mixer - Pre Amp Vocal - Equalizer - Compressor, Behringer - Shure - Senheiser, FX Guitar Korg - Zoom Software : Cubase Fasilitas Lain : Internet Cafe + Billiard Resto
PURIMUSIK STUDIO Harga Sewa studio 1: Rp.50.000/1jam, Rp.90.000/2jam, Rp.120.000/3jam.(Buka jam 10:00 - 03:00) Harga Sewa studio 2: Rp.35.000/1jam, Rp.60.000/2jam (Buka jam 10:00 - 22:00) Harga rekaman demo live: Rp.60.000/jam Harga rekaman track: Rp Rp.180.000/3jam Alamat: Jl. Puri Sakti I No.25A, Cipete Selatan - JKT 12410 Phone: 7658023, 75909733 Gitar: Ibanez, Fender, Squier, Epiphone Amplifier Gitar: Marshall, Laney Bass gitar: Ibanez, Squier, Aria Amplifier Bass: Laney, Valhalla Drum: Mapex, Tama, Sabian Cymbals Keyboard: Roland, Korg Monitor Vocal: Laney Piranti Rekam: ST Audio, Cakewalk Sonar
SEWU Harga Sewa: Rp.80.000/3 jam Harga rekaman demo live: Rp.170.000/3 jam Alamat: Jl.Hang Jebat 2 No.37, Kebayoran Baru, Jaksel Phone: 7204172 Luas: 4 x 3 meter Gitar: 2bh Fender Stratocaster, Ibanez Roadstar Amplifier Gitar: Marshall dan Tube 50 Bass gitar: Audio Pro Amplifier Bass: Crate Drum: Pearl Keyboard: Roland BR 8 Monitor Vocal: Crate (type Audio Control)
STUDIOLAND RECORDING Harga Sewa: Rp.250.000/6 jam Harga Rekaman Demo Live: Rp.125.000/3 jam Alamat: Jl.Ciliwung No.52 Cililitan Phone: 8091705 08161443909 Gitar: Ibanez dan Fender Amplifier Gitar: Marshall, Peavey, Laney Bass Gitar: Palmer Amplifier Bass: Trace Elliot Drum: Pearl Keyboard: Korg X5d Mixer: Behringer ddx3216 Digital, 32 Channel Perangkat Rekaman: Nuendo
VIM Harga Sewa: Rp.150.000/3 jam (minggu tutup) Harga rekaman demo live: Rp.350.000/6 jam Alamat: Jl.Prapanca Raya 115 Phone: 7229234 Gitar: Epiphone dan Godin Amplifier Gitar: 2 bh Marshall JCM 900 Combo Bass gitar: Squier Jazz Amplifier Bass: Head Warwick + Mesa Boogie Cabinet Drum: Premier Keyboard: Vatar + Alesis Monitor Vocal: 4 mic + 8 speaker Mixer: Mackie 32 Channel Perangkat rekaman: ProTools

BOGOR:

GUDANG STUDIO Harga rental: Rp 40.000,-/jam Alamat: Jl. Raya Semplak No.112 Phone: (0251)7539557 Gitar: Jackson Dinky Strat, Fender Strat Plus Amplifier Gitar: Fender ROC PRO, Fender Performer 1000 Bass gitar: Musicman SUB Amplifier Bass: Ashdown ABM 300 Drum: SONOR Double Bass Drum dan Zildjian + Chinesse Stagg Keyboard: Roland G-1000 Amplifier Keyboard: Roland KC-500 Mic: Shure SM58 Monitor Speaker: Crate Audio

BANDUNG:

B!GEST home music studio Harga rental: Rp.17.000 / jam Alamat: Jalan Panday no.4 Cimahi Phone: (022) 665 27 34 Gitar: Gibson Les Paul, Ibanez Amplifier Gitar: 3 AMP. GITAR TUBE : FULL STAGE 600WATT RMS Bass gitar: Warwick Drum: Pearl Export series Keyboard: Keyboard Roland XP Amplifier Keyboard: Peavey KB 300 Mic: SHURE, SENSHEIZER, AKG, CAROL MICROPHONE Monitor Speaker: Auratone Recording Equipment: SOUND VOCAL 750WATT RMS 15\", MULTI EFFECT DIGITAL & SEPERANGKAT PROCESSOR UTK RECORDING LIVE & TRACK